REVIEW: RACHEL BOWER’S ‘THESE MOTHERS OF GODS’

REVIEW: RACHEL BOWER’S ‘THESE MOTHERS OF GODS’

REVIEW: RACHEL BOWER’S ‘THESE MOTHERS OF GODS’     Reviewed by Stella Backhouse   “There is no more sombre enemy of good art than the pram in the hall,” moaned Coventry-born Cyril Connolly in 1938 – although as he hadn’t had children at the time, and as he’s barely...
REVIEW: LUCY HURST’S ‘MODERN MEDICINE’

REVIEW: LUCY HURST’S ‘MODERN MEDICINE’

REVIEW: LUCY HURST’S ‘MODERN MEDICINE’     Reviewed by Stella Backhouse   Perhaps the best way I can describe Lucy Hurst’s experimental chapbook Modern Medicine is as an intimate history of pain. ‘Intimate’ because it is rooted in the poet’s deeply personal experience...
SAM REESE: ON WRITING A SECOND STORY COLLECTION

SAM REESE: ON WRITING A SECOND STORY COLLECTION

Turns: On Writing a Second Short Story Collection By Sam Reese   So you’ve written a short story collection. How do you even begin to write a second? If you watched it from a distance, the journey my second short story collection took to reach publication might...
INTERVIEW: FIRE & DUST MEETS ELIZABETH MCGEOWN

INTERVIEW: FIRE & DUST MEETS ELIZABETH MCGEOWN

INTERVIEW: FIRE & DUST MEETS ELIZABETH MCGEOWN       On telling a friend I am writing to an insect theme and finding out months later she has assumed I meant maggots But Maggots do not cross my mind at all: the plump rot-seeking them of single mind. Fat...