by Here Comes Everyone | Jul 24, 2022
REVIEW: VICTORIA KENNEFICK’S ‘EAT OR WE BOTH STARVE’ Reviewed by Stella Backhouse You’d be surprised how popular Audrey Hepburn is among women. I’ve had beauty treatments (all right, laugh if you must) in a room wallpapered with teasing Audreys; and my former...
by Here Comes Everyone | Jul 5, 2022
REVIEW: JULIA WEBB’S ‘THE TELLING’ Reviewed by Stella Backhouse I sometimes wonder if World War One is alive and well and dwelling among us. Take me. My maternal grandfather was a boozer, probably because it was the easiest way of blotting out...
by Here Comes Everyone | May 21, 2022
INTERVIEW: FIRE & DUST MEETS MEL BRADLEY (This is ‘Dearest Women’ in English. It’s the very last piece of the show, but in the show, it’s performed entirely as Gaeilge.) Mel Bradley is a spoken word artist, writer,...
by Here Comes Everyone | May 3, 2022
Review: Theatre at Shoot Festival 2022 Reviewed by Stella Backhouse The ‘Performance’ strand of Coventry’s Shoot Festival 2022 concluded at the city’s Belgrade Theatre on Thursday and Friday last week with two very different new plays from woman...
by Here Comes Everyone | Jan 21, 2022
REVIEW: JULIA WEBB’S ‘THREAT’ Reviewed by Stella Backhouse Something called “the big pushchair” makes several appearances in Threat, Julia Webb’s 2019 collection about growing up in rural Norfolk. The pushchair is not the subject of any...
