by Here Comes Everyone | Mar 20, 2022
REVIEW: DANIEL SLUMAN’S ‘SINGLE WINDOW’ Reviewed by Stella Backhouse The thing about windows is, they operate in two directions. Daniel Sluman’s 2021 poetry/photography collection Single Window (a nod, perhaps, to Alfred Hitchcock’s classic film Rear...
by Here Comes Everyone | Mar 1, 2022
REVIEW: ROZ GODDARD’S ‘LOST CITY’ Reviewed by Stella Backhouse Two days after Russia invaded Ukraine, I was researching Roz Goddard’s chapbook Lost City in preparation for writing this review. As part of that, I came across a YouTube...
by Here Comes Everyone | Feb 5, 2022
REVIEW: RAYMOND ANTROBUS’S ‘THE PERSEVERANCE’ Reviewed by Stella Backhouse The Perseverance, Raymond Antrobus’s debut full collection from 2018, is enveloped by poems that take us back to a time before anyone knew he was Deaf. Both poems recall his earliest...
by Here Comes Everyone | Jan 31, 2022
Here comes February! In the UK, the Omicron variant is around but life has taken a few more steps back into normality. However, plenty of people remain understandably cautious about venturing out to attend gigs, especially those who are vulnerable. If...
by Here Comes Everyone | Jan 21, 2022
REVIEW: JULIA WEBB’S ‘THREAT’ Reviewed by Stella Backhouse Something called “the big pushchair” makes several appearances in Threat, Julia Webb’s 2019 collection about growing up in rural Norfolk. The pushchair is not the subject of any...
