Reviewed by Stella Backhouse | What intrigues me most about Nafeesa Hamid’s début collection Besharam (One who is shameless) is the innovative way she uses language and imagery to express her conflicted relationship with her body. Innocence was snatched from Hamid in the most brutal way. Abducted from outside her Birmingham home at the age of nine, she was driven around the city in the back of a stranger’s car, subjected to […]