REVIEW: MARTIN FIGURA’S ‘THE REMAINING MEN’

REVIEW: MARTIN FIGURA’S ‘THE REMAINING MEN’

REVIEW: MARTIN FIGURA’S ‘THE REMAINING MEN’     By Stella Backhouse   I was born on the day John Profumo asked Christine Keeler for her phone number; in the very hour, quite possibly, that she was driving back to London with Yevgeny Ivanov. Two years...
REVIEW: HOLLY MAGILL’S ‘20’

REVIEW: HOLLY MAGILL’S ‘20’

REVIEW: HOLLY MAGILL’S ‘20’     By Stella Backhouse   20 is quite possibly the shortest title of any collection I’ve reviewed. But even though it consists of just two little characters, the most important part of it is arguably neither of them: it’s the space in...
INTERVIEW: FIRE&DUST MEETS MARTIN HAYES

INTERVIEW: FIRE&DUST MEETS MARTIN HAYES

INTERVIEW: FIRE&DUST MEETS MARTIN HAYES     Ox loved the fields they gave him meaning when all the leaky barn did was pile hour upon hour upon hour of proof that all he was was an ox the fields allowed Ox to stretch his loins out use his bulk to heave and...
REVIEW: BOBBY PARKER’S ‘HONEY MONSTER’

REVIEW: BOBBY PARKER’S ‘HONEY MONSTER’

REVIEW: BOBBY PARKER’S ‘HONEY MONSTER’       Reviewed by: Stella Backhouse   It makes me feel old, this writing poetry reviews. Collections produced by poets much younger than I am are often loaded with allusions that go right over my head. Caleb...