by Here Comes Everyone | Apr 8, 2022
REVIEW: SALLYANNE ROCK’S ‘SALT & METAL’ Reviewed by Stella Backhouse Taken from the website of Women’s Aid, the UK charity working to end domestic abuse against women and children: “There are no reliable prevalence data on domestic abuse but the Crime...
by Here Comes Everyone | Apr 4, 2022
REVIEW: CALEB PARKIN’S ‘THIS FRUITING BODY’ Reviewed by Stella Backhouse Samantha Walton has already described Caleb Parkin’s 2021 collection This Fruiting Body as “a post-human lyric disco lit with ecological thought”; and as I doubt I can...
by Here Comes Everyone | Mar 20, 2022
REVIEW: DANIEL SLUMAN’S ‘SINGLE WINDOW’ Reviewed by Stella Backhouse The thing about windows is, they operate in two directions. Daniel Sluman’s 2021 poetry/photography collection Single Window (a nod, perhaps, to Alfred Hitchcock’s classic film Rear...
by Here Comes Everyone | Mar 14, 2022
REVIEW: ‘THESE ARE THE HANDS: POEMS FROM THE HEART OF THE NHS’ ANTHOLOGY Reviewed by Stella Backhouse I wasn’t sure I would like this anthology. A collection of “poems from the heart of the NHS” – especially one whose launch coincided with the pandemic’s...
by Here Comes Everyone | Mar 7, 2022
We’d love to have your vote(s)… Sabotage Reviews just announced it’s that time of the year again: The Saboteur Awards! In the world of independent creatives, this is a rare opportunity to celebrate the people, brands and categories that...
