by Here Comes Everyone | Oct 28, 2018
Milkman’s Tune Andrew Button Like a jukebox call, stirred from soundless dreams, they awake to his whistle and milk bottle chorus. His tunes thrown like Frisbees, echoed by radios in kitchens, occupants in cars to work, earphones on buses, office floor...
by Here Comes Everyone | Oct 27, 2018
An L-Shaped Room Elizabeth Gibson They say my room will be L-shaped next year, spacious, and I wonder: will it be big enough for you to drop by, the way you do, or the way you did and I wish you would again? They say the roof is slanted, with the bed tucked...
by Here Comes Everyone | Oct 26, 2018
The Cucumbers Ian Cusack Lawrence Martin and Richard Stevens once were lovers. They met in jail. Lawrence the deviant dentist with a shameful hard drive; crammed with images of men pissing. Legal static snaps of consensual urolagnia and illegal videos of male clients,...
by Here Comes Everyone | Oct 26, 2018
A Song to Rest the Tired Dead Raine Geoghegan In memory of Celia Lane it is dusk she has come to wash the body a table is set by the bed a bowl of lavender water clean muslin cloths a white towel ‘too young for death’ she thinks as she removes all the...
by Here Comes Everyone | Oct 24, 2018
THE IMBIBING OF DEMONS by Jodie Day Jodie Day is an analogue collage artist who works under the pseudonym Sacred Cuts. Her works deals with themes of transcendency, rituals, and other esoteric philosophies. She studied Fine Art in London, where she lives and...
